Amanda Raquel Dorval (b. 1987), originally from Queens, NYC, is a Nuyorican-Dominican artist, library professional, and anti-war veteran who served seven years in the US Air Force as an Arabic linguist. She has a BA in Art History from Barnard College of Columbia University. In 2022, Amanda received a master's degree in Library and Information Science from Long Island University. In 2024, she earned an MA in Near Eastern Studies from New York University, her thesis exploring the cross-cultural influences of the Islamic World within Puerto Rican visual culture. In 2026, Amanda earned her final masters degree, an MFA in Studio Art from the Institute of American Indian Arts in Santa Fe, NM.
Amanda currently works as Curatorial Associate of Exhibitions in the New York Public Library, Stephen A. Schwarzman Building. Formerly, she was the Bibliographer of Indigenous American Art in Watson Library at The Metropolitan Museum of Art from 2021 to 2022. She was a 2022-2023 Research Fellow at the Hispanic Society Museum & Library and she also has library/archive experience at the American Museum of Natural History, World Monuments Fund, Brooklyn Museum, and other cultural institutions throughout the city.
In her art practice, Amanda interrogates her cultural heritage and military experiences.
Photo: self-portrait, 2023.
In my art practice, I interrogate my Nuyorican-Dominican identity and cultural heritage through an awareness of cross-cultural solidarities as well as through my perspective an anti-war veteran.
I am interested in the intersections of Boricua/Puerto Rican heritage and culture and how these inform identity and self-expression within the diaspora. I often explore the legacy of Islam on Puerto Rican, Nuyorican, and Taíno visual culture, reconsidering the dimensions of the islands' Indigeneity and repercussions of colonialism. I also use my military background to reinterpret the aesthetics of violence through ideas of nonviolence to explore the parameters of an alternative Future of Borikén/Puerto Rico which centers Indigenous and Black feminisms.
My work explores larger themes of identity, diaspora, reconnection to Indigenous Taíno cosmologies, movement building, and cultural exchange. My practice combines photography, painting, craft, costume making, mask making, embroidery, beadwork, and photo collage to reimagine the meaning and nuances of Boricua and Nuyorican identity.
Photo: by Joanna O'Shea, 2014
Experience
2023 - present - Curatorial Associate, Exhibitions Department, New York Public Library, New York, NY.
2010 - present - Freelance artist, designer, and portrait, lifestyle, and art photographer.
2023 - Library Clerk; Audiovisual Collection Student Worker. New York University Libraries (Institute for the Study of the Ancient World; Special Collections), New York, NY.
2023 - Archives Intern. American Museum of Natural History, New York, NY.
2021 - 2022 - Research Associate/Bibliographer of Indigenous American Art. Watson Library, The Metropolitan Museum of Art, New York, NY.
2021 - 2022 - Research Fellow. The Hispanic Society Museum & Library, New York, NY.
2021 - 2022 - Archives Intern. World Monuments Fund, New York, NY.
2021 - Archives Intern. Brooklyn Museum, Brooklyn, NY.
2021 - Collections and Publications Intern. The Jewish Museum, New York, NY.
2021 - Archives Intern. Wildenstein Plattner Institute, New York, NY.
2013 - 2020 - Iraqi-Arabic linguist, United States Air Force.
Group Art Exhibitions
2026 - 2027 - RESISTING THE LONG WAR: Shifting Horizons. Hyde Park Art Center, Chicago, IL. Curated by Aaron Hughes, Mohamed Mehdi, and Amber Zora. October 24 – April 18.
2026 - 2027 - RESISTING THE LONG WAR: Creative Rebellion. Chicago Cultural Center, Chicago, IL. Curated by Aaron Hughes, Mohamed Mehdi, and Amber Zora. October 2 - March 7.
2026 - Sunrise and Flint: Contemporary Native American Art. Zane Bennet Contemporary Art gallery, Santa Fe, NM. July 31 – September 5.
2026 - Be Held. Center for Contemporary Arts (CCA), Santa Fe, NM. Curated by Taylor Rose Payer. May 15 – June 7.
2025 - Pelham Art Center Holiday Boutique, Pelham, NY. November 22 - December 23.
2025 - Journeys Onward: Military Veterans' Experiences. Salmagundi Club, New York, NY. July 1 – 25.
2025 - Fragments in Our Home. L'appartement 49c, New York, NY. May 10 – 24.
2024 - On Both Sides of the Lens: Documenting the Puerto Rican Diaspora (online exhibition and accompanying book). Center for Puerto Rican Studies, Hunter College, New York, NY. November 21 - ongoing.
2024 - Futures. ArtsWestchester, White Plains, NY. October 13, 2024 - January 12, 2025.
2024: - Estamos Aquí: Celebrating Hispanic Heritage Month. Arts Mid-Hudson (AMH), Poughkeepsie, NY. September 12 – October 20.
2024 - Journeys Onward: Military Veterans' Experiences. Salmagundi Club, New York, NY. June 1 – 26.
2022 - Art Work: Artists Working at The Met. The Metropolitan Museum of Art, curated by Daniel Krenshaw. June 6 - 19.
2022 - The Flag Project, Rockefeller Center. Only One Earth, in collaboration with the United Nations Environment Programme and the Climate Museum in New York. 1 - 30 April.
2021 - The Flag Project, Rockefeller Center. Curated by Aperture Foundation. 27 March - 30 April.
2021 - Landscape Group Exhibition, F-Stop Magazine, images 15 and 16.
2021 - Der Greif, Guest Room monthly online exhibition, curated by Anna-Alix Koffi. January 31.
2020 - OVADA Gallery, Oxford, London. Photo Oxford Festival, "Women and Photography: Ways of Seeing and Being Seen." 16 October - 16 November.
Workshops & Community Engagement
2026 - Flower Power: Lucha y luto con flores / Resistance and Mourning with Flowers, artist-led workshop at Ma's House and BIPOC Art Studio on Shinnecock Nation (Southampton, NY), March 6.
2025 - Virtual National Military Veteran Artist Network Symposium, hosted by the National Veterans Art Museum in Chicago and the Art Students League of New York, September 25.
2025 - Led a workshop on beaded cemis workshop, celebrating Taíno heritage on the occasion of Earth Day. Inquilinos Boricuas en Acción, Boston, MA. April 24.
Publications, Exhibitions, and Blogs
2024 - Amanda Raquel Dorval. "Disfraces Rebeldes: Reimagining Puerto Rico Identity Through a Practice-Led Project on the Interconnections Between the Vejigante and Islam." New York University, Esferas 15: Movimiento/Movimientos~Movement/Movements, no. 15 (Spring 2024): 151-159.
2023 - "An Introduction to Dr. Husam Khalaf’s “The Cultural Genocide of the Iraqi Archives and Iraqi Jewish Archive and International Responsibility” The Cultural Genocide of the Iraqi Archives and Iraqi Jewish Archive and International Responsibility" The Cultural Genocide of the Iraqi Archives and Iraqi Jewish Archive and International Responsibility" by Husam Abdul Ameer Khalaf, translated by Amanda Raquel Dorval. Information & Culture, 58 (1): 84–108.
2022 - Amanda Raquel Dorval. A Salute to the Artistic Legacy of Native American Veterans. Perspectives: In Circulation, The Metropolitan Museum of Art.
2022 - Amanda Raquel Dorval. Past/Present/Future: Expanding Indigenous American, Latinx, Hispanic American, Asian American, and Pacific Islander Perspectives in Thomas J. Watson Library. The Metropolitan Museum of Art.
2022 - Amanda Raquel Dorval. The Middle Eastern Roots of Spanish and Latin American Repostería. Tertulias de Arte Hispano, Hispanic Society Museum & Library. YouTube.
2022 - Amanda Raquel Dorval. From the Archives: A Focus on Ramadan. World Monuments Fund.
2022 - Amanda Raquel Dorval. From the Archives: World Monuments Fund in Italy. World Monuments Fund.
2021 - Amanda Raquel Dorval. "The Iraqi Ba'ath Archives: Collective Memory Loss and Authoritarian Nostalgia in the Post-Saddam Era." Libraries: Culture, History, and Society, 5 (2): 204–225.
Unpublished Manuscripts
2026 - Amanda Raquel Dorval. Florikén in Camouflage: A Manifesto of Nonviolence for a Nuyorican Future. Master’s thesis, Institute of American Indian Arts.
2024 - Amanda Raquel Dorval. Disfraces Rebeldes: Reimagining Puerto Rican Identity through a Practice-Led Project on the Interconnections between the Vejigante and Islam. Master’s thesis, New York University.
Press and Publication Mentions
2025 - “The Venice Indigenous Arts School.” In Jeffrey Gibson: the space in which to place me, edited by Abigail Winograd and Christian Ayne Crouch. DelMonico Books, Portland Art Museum, SITE Santa Fe, Big NDN Press, Bard Center for Indigenous Studies. 2025.
2024 - On Both Sides of the Lens: Documenting the Puerto Rican Diaspora. Edited by Ángel Antonio Ruiz-Laboy. Center for Puerto Rican Studies. Centro Press, 2024.
2020 - "Photo Oxford: a celebration of women and photography – in pictures," The Guardian.
Awards
2025 - AIGA Worldstudio D×D Scholarship, Photography.
2020 - Chromatic Awards International Color Photography Contest, Honorable mention, Amateur Portrait Category.
2020 - Chromatic Awards International Color Photography Contest, Honorable mention, Amateur Fine Art Category.
2020 - Photo Oxford, "Women & Photography: Ways of Seeing and Being Seen," 7th place.
2019 - 5th Fine Art Photography Awards, Amateur Series Nominee, Fine Arts Category.